Introduction by Clara Bouveresse \u2022 The Photographers: ABBOTT, Berenice \u2022 ALBIN, Guillot Laure \u2022 ARNDT, Gertrud \u2022 ASTFALCK-VIETZ, Marta \u2022 ATKINS, Anna \u2022 AUERBACH, Ellen \u2022 AUSTEN, Alice \u2022 BEESE, Lotte \u2022 BEN-Y\u00daSUF, Za\u00efda \u2022 BENJAMIN JOHNSTON, Frances \u2022 BESNY\u00d6, Eva \u2022 BIERMANN, Aenne \u2022 BOUGHTON, Alice \u2022 BOURKE-WHITE, Margaret \u2022 BRANDT, Marianne \u2022 BRESLAUER, Marianne \u2022 BRIGMAN, Anne \u2022 CAHUN, Claude \u2022 CAMERON, Julia Margaret \u2022 CASTIGLIONE, Virginia de \u2022 CONTENT, Marjorie \u2022 CUNNINGHAM, Imogen \u2022 DIEZ-D\u00dcHRKOOP, Minya \u2022 DILLWYN, Mary \u2022 EDIS, Olive \u2022 FEHR, Gertude \u2022 FLEISCHMANN, Trude \u2022 GILPIN, Laura \u2022 GRSCHEBINA, Liselotte \u2022 HANSCOM, Adelaide \u2022 HAWARDEN, Lady Clementina \u2022 HENRI, Florence \u2022 JACOBI, Lotte \u2022 JOHNSON, Belle \u2022 KALLIN-FISCHER, Grit \u2022 KALLMUS, Dora (Madame d\u2019Ora) \u2022 K\u00c1LM\u00c1N, KATA \u2022 K\u00c4SEBIER, Gertrude \u2022 KRETSCHMER, Anneliese \u2022 KRULL, Germaine \u2022 LANDAU, Ergy \u2022 LANGE, Dorothea \u2022 LEX-NERLINGER, Alice \u2022 MAAR, Dora \u2022 MADAME Yevonde \u2022 MATHER, Margrethe \u2022 MAYNARD, Hannah \u2022 MODOTTI, Tina \u2022 MOHOLY, Lucia \u2022 MYERS, Eveleen \u2022 NOSKOWIAK, Sonya \u2022 RICHARDS, Wynn \u2022 ROGI, Andr\u00e9 (Rosa KLEIN) \u2022 RUDOLPH, Charlotte \u2022 SIPPRELL, Clara E. \u2022 SPOLARICH, Olga \u2022 TARBOX BEALS, Jessie \u2022 TUDOR-HART, Edith \u2022 WELTY, Eudora \u2022 WULZ, Wanda \u2022 YVA (NEUL\u00c4NDER-SIMON, Else Ernestine)<\/p>\n
About the Author: Clara Bouveresse is a lecturer at Universit\u00e9 d\u2019Evry Val d\u2019Essonne and a photography specialist and curator. She co-organized the exhibition ‘Magnum Manifesto’ at the International Center of Photography, New York, in 2017, and edited the accompanying book, which was published by Thames & Hudson.<\/p>\n","protected":false},"excerpt":{"rendered":"
A compact survey of pioneering women photographers at the dawn of the medium.<\/p>\n
When women began working as photographers in the second half of the 19th century, the rules of the medium had not yet been codified and experimentation was the order of the day. As early as the 1870s, Julia Margaret Cameron was a pioneer of the use of soft focus in her depictions of figures from Arthurian legend. Some women opened their own studios, like Ellen Auerbach and Grete Stern, who were innovative figures in the flourishing field of advertising. Others were obliged to work anonymously or under pseudonyms. As the 20th century dawned, women embraced genres ranging from documentary realism to surrealist photomanipulation, fearlessly exploring the boundaries of photographic possibility.<\/p>\n
Format: Paperback with flaps<\/p>\n
Size: 19.0 x 12.5 cm<\/p>\n
Extent: 144 pp<\/p>\n
Publication date: 13 August 2020<\/p>\n
ISBN: 9780500411155<\/p>\n","protected":false},"featured_media":6632,"template":"","meta":{"_acf_changed":false,"afm_hide_title":false,"_afm_post_new_title":"","afm_terms_sep_product_language":", ","afm_terms_sep_product_post_translations":", ","afm_terms_sep_product_product_brand":", ","afm_terms_sep_product_product_type":", ","afm_terms_sep_product_product_visibility":", ","afm_terms_sep_product_product_cat":", ","afm_terms_sep_product_product_tag":", ","afm_terms_sep_product_product_shipping_class":", ","afm_terms_sep_product_pos_product_visibility":", ","afm_terms_sep_product_pa_cindy-sherman-art-bag":", "},"product_brand":[],"product_cat":[173],"product_tag":[],"class_list":{"0":"post-6269","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-3106-anskaffede-boker","8":"first","9":"outofstock","10":"taxable","11":"shipping-taxable","12":"purchasable","13":"product-type-simple"},"group_of_quantity":0,"min_quantity":0,"max_quantity":"","exclude_order_quantity_value_rules":"no","exclude_category_quantity_rules":"no","combine_variations":"no","yoast_head":"\n