{"id":6104,"date":"2025-03-06T14:23:30","date_gmt":"2025-03-06T14:23:30","guid":{"rendered":"https:\/\/www.afmuseet.no\/en\/?p=6104"},"modified":"2025-03-20T11:45:06","modified_gmt":"2025-03-20T11:45:06","slug":"recent-acquisitions-at-astrup-fearnley-museet","status":"publish","type":"post","link":"https:\/\/www.afmuseet.no\/en\/recent-acquisitions-at-astrup-fearnley-museet\/","title":{"rendered":"Recent Acquisitions at Astrup Fearnley Museet"},"content":{"rendered":"\n
Magazine<\/span>\n\n

Recent Acquisitions at Astrup Fearnley Museet<\/h1>\n\n
\"\"
Nicole Eisenman,\nPerpetual Motion Machine, 2019<\/figcaption><\/figure>\n\n

The Astrup Fearnley Collection is one of Europe’s leading collections of international contemporary art and is continuously expanding with new acquisitions. Over the past year, the museum has acquired 52 new works, bringing the collection to over 1,500 pieces.\u00a0 <\/p><\/div><\/div><\/div>\n\n\n\n

On March 28, the museum will open a new collection exhibition where several of the latest acquisitions will be presented for the first time, including Shikh Sabbir Alam\u2019s The elephants and the fruits<\/em> (2022), Nina Beier\u2019s Fleet<\/em> (2024), Klara Lid\u00e9n\u2019s Verdebelvedere<\/em> (2024) and Verdebelvedere Exit<\/em> (2024), Julia Rommel\u2019s Crafter\u2019s Choice<\/em> (2024), Kara Walker\u2019s A Burial at the Artist\u2019s Country Estate<\/em> (2022), and Nicole Eisenman\u2019s monumental sculpture Perpetual Motion Machine<\/em> (2019). <\/p>\n\n\n\n

Among the other acquired artists are Lutz Bacher (who will be the subject of a comprehensive retrospective exhibition this fall in collaboration with WIELS Centre for Contemporary Art in Brussels: Burning the Days<\/em>), Silje Figenschou Thoresen, Cato L\u00f8land, Mohammed Sami, Nan Goldin, Isabella Ducrot, Wolfgang Tillmans, Cauleen Smith, Leonard Rickhard, Ann Cathrin November H\u00f8ibo, Samuel Hindolo, Josiane M.H. Pozi, Eva Gold, Lisa Lacroix, Lawrence Weiner, Olav Christopher Jenssen, Vanessa Baird, and Nairy Baghramian. <\/p>\n\n\n\n

\n\n\n\n

Acquired works:<\/strong> 
<\/h4>\n\n\n\n


Shikh Sabbir Alam<\/strong> <\/em> 
The elephants and the fruits<\/em>, 2022 
<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
\n\n\n\n

Lutz Bacher<\/strong> 
Jackie  Me<\/em>, 1989 
Jokes Billy Graham<\/em>, 1987 – 1988 
Horse  Shadow<\/em>, 2010 
Untitled<\/em>, 2016 <\/p>\n\n\n\n

\n\n\n\n

Nairy Baghramian<\/strong> 
Misfits L<\/em>, 2024 <\/p>\n\n\n\n

\n\n\n\n

Vanessa Baird<\/strong> 
Birds dont Fly Through my Skylight Nowadays<\/em>, 2002 
<\/p>\n\n\n\n

\n\n\n\n

Nina Beier<\/strong> 
Fleet<\/em>, 2024 <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
\n\n\n\n

Isabella Ducrot<\/strong> 
Brown Dress II<\/em>, 2024  
Blue memory<\/em>, 2018 
Small Tendernesses XIV<\/em>, 2021 
Almost divine I<\/em>, 2022 <\/p>\n\n\n\n

\n\n\n\n

Nicole Eisenman
<\/strong>Perpetual Motion Machine<\/em>, 2019<\/p>\n\n\n\n

\n\n\n\n

Eva Gold<\/strong> <\/em> 
Acts of Violence after Lynch 1<\/em>, 2024 
Acts of Violence after Lynch 3<\/em>, 2024  <\/p>\n\n\n\n

\n\n\n\n

Nan Goldin <\/strong> <\/em> 
Selfportrait in my blue bathroom Berlin<\/em>, 1991 <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
\n\n\n\n

Samuel Hindolo<\/strong> <\/em> 
Saida Two Scenes One Predicament II<\/em>, 2024  
Saida Two Scenes One Predicament II Study<\/em>, 2024 
Passageway I , 2024 <\/em> <\/p>\n\n\n\n

\n\n\n\n

Ann Cathrin November H\u00f8ibo<\/strong> <\/em> 
Untitled<\/em>, 2024  <\/p>\n\n\n\n

\n\n\n\n

Olav Christopher Jenssen<\/strong> 
<\/em> Journal Lagan Laholm August 21st<\/em>, 2023 
Journal Lagan Laholm August 21st<\/em>, 2023 
Journal Lagan Laholm August 22nd<\/em>, 2023 
Journal Berlin Oct 25th<\/em>, 2023 
Journal Berlin Oct 25th<\/em>, 2023 
Journal Berlin 17 Jan<\/em>, 2024 
Journal Berlin 17 Jan<\/em>, 2024 
Begleiter No 47<\/em>, 2023 – 2024 
Begleiter No 08<\/em>, 2023 – 2024 
<\/p>\n\n\n\n

\n\n\n\n

Liza Lacroix<\/strong> <\/em> 
isnt my audience what are you doing to me<\/em>, 2024 <\/p>\n\n\n\n

\n\n\n\n

Klara Lid\u00e9n<\/strong> 
Verdebelvedere<\/em>, 2024  
Verdebelvedere Exit<\/em>, 2024 <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
\n\n\n\n

Cato L\u00f8land<\/strong> 
Mouth II<\/em>, 2024  
Mouth III<\/em>, 2024  <\/p>\n\n\n\n

\n\n\n\n

Josiane M.H. Pozi<\/strong> 
mummas drawing<\/em>, 2024  
me in bed<\/em>, 2024 
three judges<\/em>, 2024 <\/p>\n\n\n\n

\n\n\n\n

Leonard Rickhard <\/strong> 
Uten tittel skisser til modellflybygger<\/em>, 1980 – 2023 <\/p>\n\n\n\n

\n\n\n\n

Julia Rommel<\/strong> <\/em> 
Crafters Choice<\/em>, 2024 <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
\n\n\n\n

Mohammed Sami<\/strong> 
Yesterday on Shelves<\/em>, 2023 <\/p>\n\n\n\n

\n\n\n\n

Cauleen Smith<\/strong> <\/em> 
The Deep West Assembly<\/em>, 2024  
The Limits of Hospitality<\/em>, 2023  
Swallowtail Seven Never Surrenders<\/em>, 2023 
we must become a menace to our enemies<\/em>, 2022 
your rock my volcano<\/em>, 2022  
we have gone as far as we can together<\/em>, 2022<\/p>\n\n\n\n

\n\n\n\n

Silje Figenschou Thoresen<\/strong>
( Fra serien<\/em> Et stille og beskyttet farvand, de overliggende lag gik uforstyrret hen over den, <\/em>2024
Fra serien<\/em> Et stille og beskyttet farvand, de overliggende lag gik uforstyrret hen over den, <\/em>2024
Fra serien<\/em> Et stille og beskyttet farvand, de overliggende lag gik uforstyrret hen over den, <\/em>2024 <\/em><\/p>\n\n\n\n

\n\n\n\n

Wolfgang Tillmans<\/strong>
Domenico Planet<\/em>, 1992  <\/p>\n\n\n\n

\n\n\n\n

Kara Walker<\/strong>
A Burial at the Artists Country Estate<\/em>, 2022 
<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
\n\n\n\n


Lawrence Weiner<\/strong>
LONG AGO FAR AWAY<\/em>, 2018 <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
\n\n\n\n
<\/div>\n\n\n\n


<\/p>\n\n\n\n


<\/p>\n","protected":false},"excerpt":{"rendered":"

The Astrup Fearnley Collection is one of Europe’s leading collections of international contemporary art and is continuously expanding with new acquisitions. Over the past year, the museum has acquired 52 new works, bringing the collection to over 1,500 pieces.\u00a0 <\/p>\n","protected":false},"author":3,"featured_media":5563,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"afm_hide_title":false,"_afm_post_new_title":"","footnotes":"","afm_terms_sep_post_category":", ","afm_terms_sep_post_post_tag":", ","afm_terms_sep_post_post_format":", "},"categories":[1],"tags":[],"class_list":["post-6104","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"\nRecent Acquisitions at Astrup Fearnley Museet - Astrup Fearnley Museet<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.afmuseet.no\/en\/recent-acquisitions-at-astrup-fearnley-museet\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Recent Acquisitions at Astrup Fearnley Museet\" \/>\n<meta property=\"og:description\" content=\"The Astrup Fearnley Collection is one of Europe's leading collections of international contemporary art and is continuously expanding with new acquisitions. 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