{"id":1867,"date":"2022-11-04T12:43:19","date_gmt":"2022-11-04T12:43:19","guid":{"rendered":"https:\/\/www.afmuseet.no\/en\/?p=1867"},"modified":"2025-06-23T09:49:22","modified_gmt":"2025-06-23T09:49:22","slug":"lilia-prado-is-a-superstar","status":"publish","type":"post","link":"https:\/\/www.afmuseet.no\/en\/lilia-prado-is-a-superstar\/","title":{"rendered":"Lilia Prado is a Superstar"},"content":{"rendered":"\n<div class=\"wp-block-cover alignfull has-neutral-50-background-color has-background-dim is-style-hero\"><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\"><span class=\"wp-block-afm-label medium aligncenter wp-block-afm-block-post-type has-text-color has-neutral-1000-color\">Magazine<\/span>\n\n<h1 class=\"has-text-align-center aligncenter wp-block-post-title has-text-color has-neutral-1000-color\">Lilia Prado is a Superstar<\/h1>\n\n<figure class=\"alignwide wp-block-post-featured-image\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1707\" src=\"https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_62-scaled.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_62-scaled.jpg 2560w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_62-300x200.jpg 300w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_62-1024x683.jpg 1024w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_62-768x512.jpg 768w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_62-1536x1024.jpg 1536w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_62-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><figcaption><\/figcaption><\/figure>\n\n<div class=\"has-text-align-center wp-block-post-excerpt has-text-color has-neutral-1000-color\"><p class=\"wp-block-post-excerpt__excerpt\">The symposium Lilia Prado is a Superstar \u2013 What is queer history, readymade? took place over two days on Friday 21 and Saturday 22 October 2022 at Astrup Fearnley Museet. <\/p><\/div><\/div><\/div>\n\n\n\n<p>Performance, lectures and talks by Christian Benday\u00e1n, Mathias Danbolt, Elizabeth Freeman, D Harding, Sam Hultin, Dragos Olea &amp; Sandra Demetrescu of KILOBASE BUCHAREST, Timimie M\u00e4rak, Abdellah Ta\u00efa, and Arnisa Zeqo. \u2060<\/p>\n\n\n\n<p>Now you can see day two of symposium online: <\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Symposium Part II | Lilia Prado is a Superstar - What is queer history, readymade?\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/o2yW77wXktw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p> <strong>Watch by chapter:<\/strong> <\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=o2yW77wXktw&amp;t=0s\" target=\"_blank\" rel=\"noreferrer noopener\">00:00:00<\/a>&#8211;<a href=\"https:\/\/www.youtube.com\/watch?v=o2yW77wXktw&amp;t=128s\" target=\"_blank\" rel=\"noreferrer noopener\">00:02:08<\/a> Welcome by Solveig \u00d8vsteb\u00f8<\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=o2yW77wXktw&amp;t=128s\" target=\"_blank\" rel=\"noreferrer noopener\">00:02:08<\/a>&#8211;<a href=\"https:\/\/www.youtube.com\/watch?v=o2yW77wXktw&amp;t=596s\" target=\"_blank\" rel=\"noreferrer noopener\">00:09:56<\/a> Introduction by Hendrik Folkerts<\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=o2yW77wXktw&amp;t=596s\" target=\"_blank\" rel=\"noreferrer noopener\">00:09:56<\/a>&#8211;<a href=\"https:\/\/www.youtube.com\/watch?v=o2yW77wXktw&amp;t=4156s\" target=\"_blank\" rel=\"noreferrer noopener\">01:09:16<\/a> Lecture by Mathias Danbolt (Professor of Art History at University of Copenhagen, Denmark) &#8211; Against Queer Monumentalism: Diary from Queer Cultural Year<\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=o2yW77wXktw&amp;t=4156s\" target=\"_blank\" rel=\"noreferrer noopener\">01:09:16<\/a>&#8211;<a href=\"https:\/\/www.youtube.com\/watch?v=o2yW77wXktw&amp;t=7843s\" target=\"_blank\" rel=\"noreferrer noopener\">02:10:43<\/a> Lecture by Arnisa Zeqo (curator and writer, Amsterdam, The Netherlands) &#8211; Never Knowing Ulises, or What it means to be a star?<\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=o2yW77wXktw&amp;t=7843s\" target=\"_blank\" rel=\"noreferrer noopener\">02:10:43<\/a>&#8211;<a href=\"https:\/\/www.youtube.com\/watch?v=o2yW77wXktw&amp;t=11007s\" target=\"_blank\" rel=\"noreferrer noopener\">03:03:27<\/a> Performance lecture by KILOBASE BUCHAREST (curatorial collective with Dragos Olea and Sandra Demetrescu, Bucharest, Romania) &#8211; Museum Fictions, A performative unfolding of a manifesto ~ queer methodology ~ machine of otherness ready to pickle with fiction the paradigmatic gap between the frozen ~ the fluid hot ~ the knowledge of The Museum<\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=o2yW77wXktw&amp;t=11007s\" target=\"_blank\" rel=\"noreferrer noopener\">03:03:27<\/a>&#8211;<a href=\"https:\/\/www.youtube.com\/watch?v=o2yW77wXktw&amp;t=15628s\" target=\"_blank\" rel=\"noreferrer noopener\">04:20:28<\/a> Key-note lecture and film screening with Elizabeth Freeman (Professor of English, University&nbsp;&nbsp;of California, Davis, USA) &#8211; Karen Carpenter Was a Superstar Too: Todd Haynes, Erotohistoriography, and the Anti-Readymade, Elizabeth Freeman (Professor of English, University&nbsp;&nbsp;of California, Davis, USA)<\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=o2yW77wXktw&amp;t=15628s\" target=\"_blank\" rel=\"noreferrer noopener\">04:20:28<\/a>&#8211;<a href=\"https:\/\/www.youtube.com\/watch?v=o2yW77wXktw&amp;t=17995s\" target=\"_blank\" rel=\"noreferrer noopener\">04:59:55<\/a> Q&amp;A with Elizabeth Freeman and Arnisa Zeqo, moderated by Hendrik Folkerts<\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=o2yW77wXktw&amp;t=17995s\" target=\"_blank\" rel=\"noreferrer noopener\">04:59:55<\/a>&#8211;<a href=\"https:\/\/www.youtube.com\/watch?v=o2yW77wXktw&amp;t=18216s\" target=\"_blank\" rel=\"noreferrer noopener\">05:03:36<\/a> Introduction to Found Objects by Solveig \u00d8vsteb\u00f8<\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=o2yW77wXktw&amp;t=18216s\" target=\"_blank\" rel=\"noreferrer noopener\">05:03:36<\/a>&#8211;<a href=\"https:\/\/www.youtube.com\/watch?v=o2yW77wXktw&amp;t=19233s\" target=\"_blank\" rel=\"noreferrer noopener\">05:20:33<\/a> Panel presentation Christian Benday\u00e1n (artist, Lima, Peru)<\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=o2yW77wXktw&amp;t=19233s\" target=\"_blank\" rel=\"noreferrer noopener\">05:20:33<\/a>&#8211;<a href=\"https:\/\/www.youtube.com\/watch?v=o2yW77wXktw&amp;t=20212s\" target=\"_blank\" rel=\"noreferrer noopener\">05:36:52<\/a> Panel presentation D Harding (artist, Brisbane, Australia)<\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=o2yW77wXktw&amp;t=20212s\" target=\"_blank\" rel=\"noreferrer noopener\">05:36:52<\/a>&#8211;<a href=\"https:\/\/www.youtube.com\/watch?v=o2yW77wXktw&amp;t=20901s\" target=\"_blank\" rel=\"noreferrer noopener\">05:48:21<\/a> Panel presentation Sam Hultin (artist, Stockholm, Sweden)<\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=o2yW77wXktw&amp;t=20901s\" target=\"_blank\" rel=\"noreferrer noopener\">05:48:21<\/a>&#8211;<a href=\"https:\/\/www.youtube.com\/watch?v=o2yW77wXktw&amp;t=22018s\" target=\"_blank\" rel=\"noreferrer noopener\">06:06:58<\/a> Panel presentation Timimie M\u00e4rak (artist and poet, Stockholm, Sweden)<\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=o2yW77wXktw&amp;t=22018s\" target=\"_blank\" rel=\"noreferrer noopener\">06:06:58<\/a>&#8211;<a href=\"https:\/\/www.youtube.com\/watch?v=o2yW77wXktw&amp;t=24851s\" target=\"_blank\" rel=\"noreferrer noopener\">06:54:11<\/a> Conversation Found Objects with Christian Benday\u00e1n, D Harding, Sam Hultin, and Timimie M\u00e4rak, moderated by Hendrik Folkerts<\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=o2yW77wXktw&amp;t=24851s\" target=\"_blank\" rel=\"noreferrer noopener\">06:54:11<\/a>&#8211;<a href=\"https:\/\/www.youtube.com\/watch?v=o2yW77wXktw&amp;t=25844s\" target=\"_blank\" rel=\"noreferrer noopener\">07:10:44<\/a> Epilogue by Timimie M\u00e4rak<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\" \/>\n\n\n\n<h5 class=\"wp-block-heading\" id=\"h-the-participants\">The participants:<\/h5>\n\n\n\n<p><strong>Christian Benday\u00e1n<\/strong> is a self-taught visual artist and curator. His work is deeply inspired by the history, visual culture, and biodiversity of the Amazon region. In 2012, he received the National Culture Prize granted by the Peruvian Ministry of Culture and in 2001 received the First National Award in Visual Arts called \u201cPasaporte para un artista\u201d [Passport for an artist]. Throughout his career he has represented his country in different biennials, triennials, and art exhibitions in museums around the world; Museum of Arts of the University of Guadalajara: the 58th Venice Biennale; Curitiba; Valencia &#8211; Sao Paulo; Mercosul, and the Triennial of Chile amongst others. In 2010 he was the Director of the National Culture Institute (INC) of Loreto-Peru and is founder and director of Bufeo. Amazon\u00eda + Arte since 2015. Benday\u00e1n has published many books and curated Amazonian Art exhibitions in Peru and abroad.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_52-1024x683.jpg\" alt=\"\" class=\"wp-image-1880\" srcset=\"https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_52-1024x683.jpg 1024w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_52-300x200.jpg 300w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_52-768x512.jpg 768w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_52-1536x1024.jpg 1536w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_52-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong>Mathias Danbolt <\/strong>is an art historian with a special focus on queer, feminist, and decolonial perspectives on art and visual culture. Danbolt is currently leading the collective research projects \u201cThe Art of Nordic Colonialism: Writing Transcultural Art Histories\u201d (2019-2021) and \u201cMoving Monuments: The Life of Sculpture from the Danish Colonial Era\u201d. Danbolt is professor of art history at University of Copenhagen.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_18-1024x683.jpg\" alt=\"\" class=\"wp-image-1882\" srcset=\"https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_18-1024x683.jpg 1024w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_18-300x200.jpg 300w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_18-768x512.jpg 768w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_18-1536x1024.jpg 1536w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_18-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong>Hendrik Folkerts<\/strong> is Curator of International Contemporary Art and Head of Exhibitions at Moderna Museet, Stockholm. He specializes in commissioning and an artist-centered curatorial approach that highlights notions of care, hospitality, and process based exhibition-making. At the Moderna Museet\u2014and in previous positions at the Art Institute of Chicago, documenta 14, the Stedelijk Museum Amsterdam, and De Appel arts centre\u2014Folkerts has curated numerous solo and international group exhibitions as well as collection presentations, new commissions, and program series, anchored in the expanded field of performance and building on feminist, queer, and anti-colonial histories of art.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_12-1024x683.jpg\" alt=\"\" class=\"wp-image-1883\" srcset=\"https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_12-1024x683.jpg 1024w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_12-300x200.jpg 300w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_12-768x512.jpg 768w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_12-1536x1024.jpg 1536w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_12-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong>Elizabeth Freeman<\/strong> is Professor of English and Associate Dean of the Faculty in the Humanities, Arts, and Cultural Studies at the University of California, Davis. She is the author of three books from Duke University Press: The Wedding Complex (2002), Time Binds (2010), and Beside You in Time (2019). She has also edited a special issue of GLQ, Queer Temporalities (2007); co-edited a special issue of South Atlantic Quarterly, Crip Temporalities (2021, with Ellen Samuels), and co-edited an anthology, Queer Kinship (Duke University Press, 2022, with Tyler Bradway). She was the editor of GLQ from 2011-2017, and is currently working on a book on care work and reading practices, \u201dEndless Love: Reading, Care, and the Work of Repair.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_43-1024x683.jpg\" alt=\"\" class=\"wp-image-1884\" srcset=\"https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_43-1024x683.jpg 1024w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_43-300x200.jpg 300w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_43-768x512.jpg 768w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_43-1536x1024.jpg 1536w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_43-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong>D Harding<\/strong> works in a wide variety of media to explore the visual and social languages of their communities as cultural continuum. A descendant of the Bidjara, Ghungalu, and Garingbal peoples, they draw upon and maintains the spiritual and philosophical sensibilities of their cultural inheritance within the framework of contemporary art internationally. Harding\u2019s work has been the subject of numerous solo exhibitions and their work can be found in the collections of the Art Institute of Chicago; Museum of Contemporary Art Australia, Sydney; National Gallery of Australia, Canberra; Tate Modern, London, amongst others. Harding is currently a Postdoctoral Research Fellow at QCA, Griffith University, and lives and works in Brisbane.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_54-1024x683.jpg\" alt=\"\" class=\"wp-image-1885\" srcset=\"https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_54-1024x683.jpg 1024w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_54-300x200.jpg 300w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_54-768x512.jpg 768w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_54-1536x1024.jpg 1536w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_54-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong>Sam Hultin<\/strong> is an artist based in Stockholm, Sweden. Their work is based on their interest in queer history, identity and community and explores connections between personal experiences and political and social structures. Through city walks, sing-alongs and anniversaries Sam often invite queer communities to activate parts of a queer history together with them. Sam\u2019s work is represented in the collections of Moderna Museet, Stockholm, Statens Konstr\u00e5d, Gothenburg Museum of Art, and Malm\u00f6 Art Museum.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_57-1024x683.jpg\" alt=\"\" class=\"wp-image-1886\" srcset=\"https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_57-1024x683.jpg 1024w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_57-300x200.jpg 300w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_57-768x512.jpg 768w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_57-1536x1024.jpg 1536w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_57-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>The<strong> KILOBASE BUCHAREST<\/strong> collective was initiated by Drago\u0219 Olea in 2010 together with Ioana Neme\u0219 (1979 \u2013 2011) as an artistic project that took the form of a nomadic art space. Gradually KILOBASE BUCHAREST became a hybrid curatorial practice. Starting in 2016, KILOBASE BUCHAREST is conceptualised by Drago\u0219 Olea (of Apparatus 22 art collective) and curator Sandra Demetrescu (Chief Curator of MNAC Bucharest). KILOBASE BUCHAREST explores three main topics: economy, queer, and Bucharest, drawing consistently from the local context. KILOBASE BUCHAREST curated, exhibited, and produced works or exhibitions at KULTURKONTAKT, Vienna; Oberwelt, Stuttgart; Eastside Projects, Birmingham; Viennafair, Vienna; Brukenthal Museum of Contemporary Art, Sibiu; Museion,Bolzano; CCN, Graz; Eastwards Prospectus, Bucharest, and SUPERSYMMETRICA Madrid.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_39-1024x683.jpg\" alt=\"\" class=\"wp-image-1887\" srcset=\"https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_39-1024x683.jpg 1024w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_39-300x200.jpg 300w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_39-768x512.jpg 768w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_39-1536x1024.jpg 1536w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_39-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong>Timimie M\u00e4rak<\/strong> puts just as much in between the lines they write as in the words they choose to share. Like them, their poetry is a combination of deep roots and connections, read at a big city pace. As always part of various projects both in and outside of S\u00e1pmi. From reading poetry at La Biennale in Venice to acting in the newly released short film \u201cSk\u00e1dja\u201d by Eili Br\u00e5stad Johanesen, recorded in Northern Norway\/S\u00e1pmi. They are currently preparing for Arctic Art Summit in Yukon, Canada, whilst simultaneously rehearsing for \u201cTal till nationen,\u201d an election performance by Nasim Aghili premiering in September 2022.&nbsp;<br><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_58-1024x683.jpg\" alt=\"\" class=\"wp-image-1888\" srcset=\"https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_58-1024x683.jpg 1024w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_58-300x200.jpg 300w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_58-768x512.jpg 768w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_58-1536x1024.jpg 1536w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_58-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong>Abdellah Ta\u00efa <\/strong>was born in Rabat, Morocco, in 1973. He is the author of nine novels written in French (and translated into many languages, in Europe and USA), including \u201dL\u2019arm\u00e9e du salut\u201d (2006), \u201dUne m\u00e9lancolie arabe\u201d (2008), \u201dInfid\u00e8les\u201d (2012), \u201cUn pays pour mourir\u201d (2015), \u201cCelui qui est digne d\u2019\u00eatre aim\u00e9\u201d (2017), \u201cLa vie lente\u201d (2019) and \u201cVivre \u00e0 ta lumi\u00e8re\u201d (2022). His novel \u201cLe jour du Roi\u201d was awarded the French Prix de Flore in 2010. \u201dSalvation Army\u201d, his first movie as a director, is adapted from his eponymous novel. The film was selected for the Venice Film Festival 2013, TIFF 2013, New Directors 2014 and won many international prizes. His novel \u201dA country for dying\u201d, translated into English by Seven Stories Press, won the Pen America Literary Awards 2021.<br><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"782\" height=\"1024\" src=\"https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium-782x1024.jpg\" alt=\"\" class=\"wp-image-1890\" srcset=\"https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium-782x1024.jpg 782w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium-229x300.jpg 229w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium-768x1005.jpg 768w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium-1174x1536.jpg 1174w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium-1565x2048.jpg 1565w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium-scaled.jpg 1956w\" sizes=\"auto, (max-width: 782px) 100vw, 782px\" \/><\/figure>\n\n\n\n<p><strong>Arnisa Zeqo<\/strong> is an art historian, curator and educator based in Amsterdam. She co-founded Rongwrong, a space for art and theory in Amsterdam and is now director of Kunsthuis SYB in Beetserzwaag. In 2021\/22 she was researcher in residence at the Rijksakademie in Amsterdam where she worked on the intersection of (auto)fiction, performance, and printed matter.&nbsp; In 2015-2017 she worked for documenta 14 in Athens and Kassel, responsible for the education programs (aneducation) in Athens and initiator of the Society of Friends of Ulises Carrion within the Parliament of Bodies. The writings of Jane Bowels and June Jordan give a liberating feeling to her methodologies.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_31-1024x683.jpg\" alt=\"\" class=\"wp-image-1889\" srcset=\"https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_31-1024x683.jpg 1024w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_31-300x200.jpg 300w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_31-768x512.jpg 768w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_31-1536x1024.jpg 1536w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/11\/LP-symposium_31-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong>Supported by the Fritt Ord Foundation<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\" \/>\n\n\n<div class=\"t2-featured-single-post t2-featured-content is-post-type-event wp-block-t2-featured-single-post\"><a class=\"wp-block-t2-post-link post-id-1609 wp-block-afm-block-post-link\" href=\"https:\/\/www.afmuseet.no\/en\/events\/lilia-prado-is-a-superstar\/\">\n<figure style=\"--t2-focal-point: 50% 50%;\" class=\"t2-post-featured-image has-image-ratio-16-9 wp-block-t2-post-featured-image\"><img loading=\"lazy\" decoding=\"async\" width=\"720\" height=\"527\" src=\"https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/06\/171171.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/06\/171171.jpg 720w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2022\/06\/171171-300x220.jpg 300w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/figure>\n\n<div class=\"wp-block-group alignfull is-layout-flow wp-block-group-is-layout-flow\">\n\t<span class=\"wp-block-afm-label medium wp-block-afm-block-post-type\">What&#8217;s on<\/span>\n\t<h2 class=\"wp-block-t2-post-title\">Lilia Prado is a Superstar<\/h2>\n\t<span class=\"wp-block-afm-block-post-dates\">21 Oct, 19:30 \u2014 22 Oct, 18:30<\/span>\n\t<div class=\"t2-post-excerpt wp-block-t2-post-excerpt\"><p><strong>What is queer history, readymade?<\/strong><br><br>Friday October 21 : 19:30\u201421:15<br>Saturday October 22 :\u00a009:30\u201418:30<br><br>This symposium is organized in connection with Queer Cultural Year 2022, by Hendrik Folkerts (Curator of International Contemporary Art and Head of Exhibitions, Moderna Museet, Stockholm) and Solveig \u00d8vsteb\u00f8 (Director Astrup Fearnley Museet, Oslo).<\/p><\/div>\n<\/div>\n\n<\/a>\n<\/div>\n\n\n<hr class=\"wp-block-separator is-style-wide\" \/>\n","protected":false},"excerpt":{"rendered":"<p> The symposium <em><em>Lilia Prado is a Superstar  \u2013 What is queer history, readymade? <\/em>  <\/em>took place over two days on Friday 21 and Saturday 22 October 2022 at Astrup Fearnley Museet. <\/p>\n","protected":false},"author":3,"featured_media":1877,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"afm_hide_title":false,"_afm_post_new_title":"","footnotes":"","afm_terms_sep_post_category":", ","afm_terms_sep_post_post_tag":", ","afm_terms_sep_post_post_format":", "},"categories":[1],"tags":[],"class_list":["post-1867","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.9 (Yoast SEO v26.9) - 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