{"id":1077,"date":"2020-12-20T13:40:00","date_gmt":"2020-12-20T13:40:00","guid":{"rendered":"https:\/\/www.afmuseet.no\/en\/?p=1077"},"modified":"2022-01-18T18:00:49","modified_gmt":"2022-01-18T18:00:49","slug":"1077-2","status":"publish","type":"post","link":"https:\/\/www.afmuseet.no\/en\/1077-2\/","title":{"rendered":"Four new works for the Astrup Fearnley Collection"},"content":{"rendered":"\n<div class=\"wp-block-cover alignfull has-neutral-50-background-color has-background-dim is-style-hero\"><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\"><span class=\"wp-block-afm-label medium aligncenter wp-block-afm-block-post-type has-text-color has-neutral-1000-color\">Magazine<\/span>\n\n<h1 class=\"has-text-align-center aligncenter wp-block-post-title has-text-color has-neutral-1000-color\">Four new works for the Astrup Fearnley Collection<\/h1>\n\n<figure class=\"alignwide wp-block-post-featured-image\"><img loading=\"lazy\" decoding=\"async\" width=\"2048\" height=\"1365\" src=\"https:\/\/www.afmuseet.no\/content\/uploads\/sites\/2\/2022\/01\/Installation-view-Astrup-Fearnley-collection-2021.-Photo-Christian-Oen-44.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/www.afmuseet.no\/content\/uploads\/sites\/2\/2022\/01\/Installation-view-Astrup-Fearnley-collection-2021.-Photo-Christian-Oen-44.jpg 2048w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/2\/2022\/01\/Installation-view-Astrup-Fearnley-collection-2021.-Photo-Christian-Oen-44-300x200.jpg 300w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/2\/2022\/01\/Installation-view-Astrup-Fearnley-collection-2021.-Photo-Christian-Oen-44-1024x683.jpg 1024w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/2\/2022\/01\/Installation-view-Astrup-Fearnley-collection-2021.-Photo-Christian-Oen-44-768x512.jpg 768w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/2\/2022\/01\/Installation-view-Astrup-Fearnley-collection-2021.-Photo-Christian-Oen-44-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 2048px) 100vw, 2048px\" \/><figcaption><\/figcaption><\/figure>\n\n<div class=\"has-text-align-center wp-block-post-excerpt has-text-color has-neutral-1000-color\"><p class=\"wp-block-post-excerpt__excerpt\">The Astrup Fearnley Collection is pleased to announce the acquisition of new works by the artists Nicole Eisenman, Joar Nango, Torbj\u00f8rn R\u00f8dland and Kara Walker. <\/p><\/div><\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">NICOLE EISENMAN<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-style-default\"><img decoding=\"async\" src=\"https:\/\/www.afmuseet.no\/content\/uploads\/sites\/2\/2022\/01\/Nicole-Eisenman-Destiny-Riding-Her-Bike-2020-\u00a9-Nicole-Eisenman.-Image-courtesy-the-artist-and-Hauser-Wirth.-Photo-Thomas-Barratt-840x1024.jpg\" alt=\"\" class=\"wp-image-2322\"\/><figcaption>Nicole Eisenman,&nbsp;<em>Destiny Riding Her Bike<\/em>, 2020. Astrup Fearnley Museet \/ Photo: Thomas Widerberg<\/figcaption><\/figure>\n\n\n\n<p><strong>Nicole Eisenman<\/strong>&nbsp;(b. 1965) is a key figure in contemporary American painting and sculpture, with characteristic works that shift between abstraction and the figurative depiction of social groups. On 5 February 2021, we open the exhibition&nbsp;<em>Nicole Eisenman \u2013 Giant Without a Body<\/em>, an in-depth look at her artistic practice from 2006 to the present. This will be the artist\u2019s most comprehensive solo presentation in Europe to date, and the work acquired for the collection was commissioned specifically for the exhibition.<\/p>\n\n\n\n<p>Read more about&nbsp;<em><a href=\"https:\/\/www.afmuseet.no\/en\/exhibitions\/nicole-eisenman-giant-without-a-body\/\" data-type=\"exhibition\" data-id=\"38\">Nicole Eisenman \u2013 Giant Without a Body<\/a><\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">JOAR NANGO<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-style-default\"><img decoding=\"async\" src=\"https:\/\/www.afmuseet.no\/content\/uploads\/sites\/2\/2022\/01\/Joar-Nango-The-same-rope-that-hung-you-will-pull-you-up-in-the-end-2020-683x1024.jpg\" alt=\"\" class=\"wp-image-2323\"\/><figcaption>Joar Nango,&nbsp;<em>The same rope that hung you will pull you up in the end<\/em>, 2020. Image from Festival Exhibition at Bargen Kunsthall.&nbsp;(Photo: Thor Br\u00f8dreskift \/ Bergen Kunsthall)<\/figcaption><\/figure>\n\n\n\n<p><strong>Joar Nango<\/strong>&nbsp;(b. 1979) is a Norwegian-Sami artist and architect from Alta. In his site-specific installations, he often takes the architecture of the exhibition venue as his point of departure, creating spaces for the exchange of knowledge and social interaction, while simultaneously addressing issues relating to the identities of indigenous populations. Nango\u2019s work has been presented internationally, including as part of Documenta 14, and in 2020 he was the first Sami artist to take the role of Festival Artist at the Bergen International Festival. Norway\u2019s national broadcaster, NRK, described the resulting exhibition as \u201ca milestone in Norwegian art history\u201d. Nango\u2019s work&nbsp;<em>The same rope that hung you will pull you up in the end<\/em>&nbsp;was acquired from the Festival Exhibition in Bergen.<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">TORBJ\u00d8RN R\u00d8DLAND<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-style-default\"><img decoding=\"async\" src=\"https:\/\/www.afmuseet.no\/content\/uploads\/sites\/2\/2022\/01\/Torbjorn-Rodland-Socks-Shoes-and-Tail-2020_2.-Courtesy-of-the-artist-and-STANDARD-Oslo-Oslo.-Photo-Vegard-Kleven-1024x809.jpg\" alt=\"\" class=\"wp-image-2324\"\/><figcaption>Torbj\u00f8rn R\u00f8dland,&nbsp;<em>Socks, Shoes and Tail<\/em>, 2020 \u00a9 Torbj\u00f8rn R\u00f8dland<\/figcaption><\/figure>\n\n\n\n<p><strong><strong>Torbj\u00f8rn R\u00f8dland<\/strong>&nbsp;<\/strong>(b. 1970), who lives and works in Los Angeles, is one of Norway\u2019s most distinctive artists. With his powerful photographic idiom and characteristic imagery, he challenges the viewer on many levels \u2013 emotionally, intellectually, spiritually and erotically. The alluring, seemingly slick surfaces of his photographs are often disturbed by elements that produce friction, giving rise to an enduring tension between provocation and comedy. R\u00f8dland\u2019s recent work&nbsp;<em>Socks, Shoes and Tail<\/em>&nbsp;joins the Astrup Fearnley Collection, which already includes several earlier pieces by the artist.<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">KARA WALKER<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-style-default\"><img decoding=\"async\" src=\"https:\/\/www.afmuseet.no\/content\/uploads\/sites\/2\/2022\/01\/Kara-Walker...calling-me-from-the-angry-surface-of-some-grey-and-threatening-sea-2007.-\u00a9-Kara-Walker_14-1024x750.jpg\" alt=\"\" class=\"wp-image-2325\"\/><figcaption>Kara Walker,&nbsp;<em>\u2026calling to me from the angry surface of some grey and threatening sea<\/em>, 2007. Color video, 9:10 minutes. \u00a9 Kara Walker<\/figcaption><\/figure>\n\n\n\n<p>The American artist&nbsp;<strong>Kara Walker<\/strong>&nbsp;(b. 1969) has been exploring issues of race, gender, sexuality, violence and identity for several decades. Known for her black cut-paper silhouettes, Walker has also considered the same themes in a number of powerful moving image works that feature her singular mix of the poetic and the violent. First presented at the Venice Biennale and recently acquired for the Astrup Fearnley Collection, Walker\u2019s 2007 video piece&nbsp;<em>\u2026 calling to me from the angry surface of some grey and threatening sea<\/em>&nbsp;tells a story of the injustices of the slave trade using shadow puppets against brightly coloured backgrounds.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Astrup Fearnley Collection is pleased to announce the acquisition of new works by the artists Nicole Eisenman, Joar Nango, Torbj\u00f8rn R\u00f8dland and Kara Walker.<\/p>\n","protected":false},"author":3,"featured_media":1080,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"afm_hide_title":false,"_afm_post_new_title":"","footnotes":"","afm_terms_sep_post_category":", ","afm_terms_sep_post_post_tag":", ","afm_terms_sep_post_post_format":", "},"categories":[1],"tags":[],"class_list":["post-1077","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.9 (Yoast SEO v26.9) - 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