{"id":7420,"date":"2026-08-31T14:29:18","date_gmt":"2026-08-31T14:29:18","guid":{"rendered":"https:\/\/www.afmuseet.no\/en\/?post_type=event&#038;p=7420"},"modified":"2026-08-31T14:29:19","modified_gmt":"2026-08-31T14:29:19","slug":"the-joy-of-underdevelopment-by-julieta-gonzalez","status":"publish","type":"event","link":"https:\/\/www.afmuseet.no\/en\/events\/the-joy-of-underdevelopment-by-julieta-gonzalez\/","title":{"rendered":"THE JOY OF UNDERDEVELOPMENT by Julieta Gonz\u00e1lez"},"content":{"rendered":"\n<div class=\"wp-block-cover alignfull is-light is-style-hero\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-neutral-50-background-color has-background-dim-100 has-background-dim\"><\/span><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\"><span class=\"wp-block-afm-label medium aligncenter wp-block-afm-block-post-type has-text-color has-neutral-1000-color\">Event<\/span>\n\n<h1 class=\"has-text-align-center aligncenter wp-block-post-title has-text-color has-neutral-1000-color\">THE JOY OF UNDERDEVELOPMENT by Julieta Gonz\u00e1lez<\/h1>\n\n<span class=\"aligncenter wp-block-afm-block-post-dates\">26 Sep, 13:00 \u2014 14:00<\/span>\n\n<figure class=\"wp-block-post-featured-image\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1440\" src=\"https:\/\/www.afmuseet.no\/content\/uploads\/sites\/2\/2026\/08\/FB_Julieta-Gonzalez-.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" \/><figcaption><\/figcaption><\/figure>\n\n<div class=\"has-text-align-center wp-block-post-excerpt has-text-color has-neutral-1000-color\"><p class=\"wp-block-post-excerpt__excerpt\">What does it mean to be an artist in an underdeveloped country? This question preoccupied Beatriz Gonz\u00e1lez and many of her Latin American contemporaries throughout the 1960s and 1970s, at a time when artists across the region were questioning imported ideas of modernity, progress and artistic value.\u00a0 <\/p><\/div><\/div><\/div>\n\n\n\n<p><strong>Admission is included with the museum entrance ticket. Free for members.<\/strong>&nbsp;<\/p>\n\n\n\n<p>In connection with the exhibition <em>Beatriz Gonz\u00e1lez<\/em> and its accompanying publication, curator and art historian Julieta Gonz\u00e1lez will give a lecture based on her essay <em>The Joy of Underdevelopment<\/em>.&nbsp;<\/p>\n\n\n\n<p>Taking the essay as a point of departure, Gonz\u00e1lez will explore how Beatriz Gonz\u00e1lez engaged critically and often humorously with ideas of underdevelopment, cultural dependency and the relationship between centre and periphery. The lecture will consider how Gonz\u00e1lez transformed images from Western art history, popular culture and the Colombian press, developing an artistic language rooted in the particular social, political and visual realities of Colombia.&nbsp;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" \/>\n\n\n\n<p><strong>Julieta Gonz\u00e1lez<\/strong>\u00a0(b. Caracas, Venezuela)\u00a0is Head of Exhibitions at the Wexner Center for the Arts in Columbus, Ohio, and Curator-at-Large for Modern and Contemporary Art at the Museu de Arte de S\u00e3o Paulo.\u00a0<\/p>\n\n\n\n<p>She works at the intersection of anthropology, cybernetics, architecture, design, ecology and the visual arts, with a special interest in decolonial aesthetics in Latin America and the Global South. She has organised more than eighty exhibitions internationally. Her essays have been published in books, exhibition catalogues, magazines and journals, including <em>The Joy of Underdevelopment<\/em> in the publication accompanying <em>Beatriz Gonz\u00e1lez<\/em>. She holds an MA in Cultural Studies and Critical Theory from Goldsmiths, London, was a Helena Rubinstein Fellow at the Whitney Museum Independent Study Program, New York, and studied architecture at Universidad Sim\u00f3n Bol\u00edvar, Caracas, Venezuela, and the \u00c9cole Nationale Sup\u00e9rieure d\u2019Architecture Paris-Villemin, France.&nbsp;<\/p>\n\n\n<div class=\"t2-featured-single-post t2-featured-content is-post-type-exhibition wp-block-t2-featured-single-post\"><a class=\"wp-block-t2-post-link post-id-6378 has-background wp-block-afm-block-post-link\" href=\"https:\/\/www.afmuseet.no\/en\/exhibitions\/beatriz-gonzalez\/\">\n<figure style=\"--t2-focal-point: 50% 50%;\" class=\"t2-post-featured-image has-image-ratio-16-9 wp-block-t2-post-featured-image\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1920\" src=\"https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2026\/06\/AstrupF_Abrakadabra_BeatrizG4616-scaled.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" srcset=\"https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2026\/06\/AstrupF_Abrakadabra_BeatrizG4616-scaled.jpg 2560w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2026\/06\/AstrupF_Abrakadabra_BeatrizG4616-300x225.jpg 300w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2026\/06\/AstrupF_Abrakadabra_BeatrizG4616-1024x768.jpg 1024w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2026\/06\/AstrupF_Abrakadabra_BeatrizG4616-768x576.jpg 768w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2026\/06\/AstrupF_Abrakadabra_BeatrizG4616-1536x1152.jpg 1536w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2026\/06\/AstrupF_Abrakadabra_BeatrizG4616-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/figure>\n\n<div class=\"wp-block-group alignfull is-layout-flow wp-block-group-is-layout-flow\">\n\t<span class=\"wp-block-afm-label medium wp-block-afm-block-post-type\">Exhibitions<\/span>\n\t<h2 class=\"wp-block-t2-post-title\">Beatriz Gonz\u00e1lez<\/h2>\n\t<span class=\"wp-block-afm-block-post-dates\">12. Jun. 2026 &#8211; 11. Oct. 2026<\/span>\n\t<div class=\"t2-post-excerpt wp-block-t2-post-excerpt\"><p>Astrup Fearnley Museet presents a retrospective of Beatriz Gonz\u00e1lez (1932\u20132026). Bringing together over 150 artworks this major exhibition explores the artist\u2019s influential practice from the 1960s to the present.<br><\/p><\/div>\n<\/div>\n\n<\/a>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>What does it mean to be an artist in an underdeveloped country? This question preoccupied Beatriz Gonz\u00e1lez and many of her Latin American contemporaries throughout the 1960s and 1970s, at a time when artists across the region were questioning imported ideas of modernity, progress and artistic value.\u00a0<\/p>\n","protected":false},"featured_media":7421,"template":"","meta":{"afm_hide_title":false,"afm_event_from":"2026-09-26T13:00:00","afm_event_to":"2026-09-26T14:00:00","afm_event_recurring":"","afm_event_recurring_interval":"","afm_event_recurring_end":"","afm_event_weekdays":"","_afm_post_new_title":"","afm_terms_sep_event_event-audience":", ","afm_terms_sep_event_event-cat":", "},"event-audience":[],"event-cat":[],"class_list":["post-7420","event","type-event","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.9 (Yoast SEO v26.9) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>THE JOY OF UNDERDEVELOPMENT by Julieta Gonz\u00e1lez - Astrup Fearnley Museet<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.afmuseet.no\/en\/events\/the-joy-of-underdevelopment-by-julieta-gonzalez\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"THE JOY OF UNDERDEVELOPMENT by Julieta Gonz\u00e1lez\" \/>\n<meta property=\"og:description\" content=\"What does it mean to be an artist in an underdeveloped country? 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