{"id":5646,"date":"2024-10-25T12:19:55","date_gmt":"2024-10-25T12:19:55","guid":{"rendered":"https:\/\/www.afmuseet.no\/en\/?post_type=event&#038;p=5646"},"modified":"2024-11-26T09:03:43","modified_gmt":"2024-11-26T09:03:43","slug":"delcy-morelos-in-conversation-with-pedro-gomez-egana","status":"publish","type":"event","link":"https:\/\/www.afmuseet.no\/en\/events\/delcy-morelos-in-conversation-with-pedro-gomez-egana\/","title":{"rendered":"Delcy Morelos in conversation with Pedro G\u00f3mez-Ega\u00f1a"},"content":{"rendered":"\n<div class=\"wp-block-cover alignfull has-neutral-50-background-color has-background-dim is-style-hero\"><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\"><span class=\"wp-block-afm-label medium aligncenter wp-block-afm-block-post-type has-text-color has-neutral-1000-color\">Event<\/span>\n\n<h2 class=\"has-text-align-center aligncenter wp-block-post-title has-text-color has-neutral-1000-color\">Delcy Morelos in conversation with Pedro G\u00f3mez-Ega\u00f1a<\/h2>\n\n<span class=\"aligncenter wp-block-afm-block-post-dates\">7 Nov, 18:00 \u2014 19:00<\/span>\n\n<figure class=\"aligncenter wp-block-post-featured-image\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1440\" src=\"https:\/\/www.afmuseet.no\/content\/uploads\/sites\/2\/2024\/10\/DelcyPedro_nettside_00.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" \/><figcaption><\/figcaption><\/figure>\n\n<div class=\"has-text-align-center wp-block-post-excerpt has-text-color has-neutral-1000-color\"><p class=\"wp-block-post-excerpt__excerpt\">Delcy Morelos in conversation with Pedro G\u00f3mez-Ega\u00f1a on the occasion of the exhibition Between Rivers <\/p><\/div>\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-black\"><a class=\"wp-block-button__link has-neutral-0-color has-neutral-900-background-color has-text-color has-background\" href=\"https:\/\/afmuseet.ticketco.events\/no\/nb\/e\/delcymorelos_for_medlemmer\">Sign up!<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<p>The event is free and open for all but requires sign up.\u00a0The conversation will be held in Spanish and translated into English\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Delcy Morelos in conversation with Pedro G\u00f3mez-Ega\u00f1a | Between Rivers\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/bOVHgT9PB2U?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>In their conversation about the new installation <em>Profundis<\/em>, Delcy Morelos and Pedro G\u00f3mez-Ega\u00f1a delve into the layered meanings within Morelos\u2019s work as well as her practice more broadly. <\/p>\n\n\n\n<p><em>Profundis<\/em> incorporates soil from the Glomma River mixed with cinnamon and cloves, materials that evoke histories of colonial trade and exploitation, referencing the seventeenth-century Dutch timber and spice trades that linked Norway with Indonesia and Sri Lanka. This historical network connects Norway\u2019s natural resources to global commerce, highlighting both the earth\u2019s role as a life source and a resource subject to extraction. Cinnamon and cloves have long been appreciated for their medicinal properties, so while <em>Profundis<\/em> subtly recalls these difficult histories, it also suggests the possibility for healing.<\/p>\n\n\n\n<p>Born in 1967 in Tierralta in the region of C\u00f3rdoba in Colombia,<strong> Delcy Morelos<\/strong> studied at the Cartagena School of Fine Arts. She lives and works in Bogot\u00e1. Past solo exhibitions include <em>Profundis<\/em>, CAAC Centro Andallluz de Arte Contempor\u00e1neo, Seville, Spain (2024); <em>Interwoven<\/em>, Pulitzer Arts Foundation, St. Louis, MO (2024); <em>El Abrazo<\/em>, Dia Chelsea, New York (2023); <em>El lugar del alma<\/em>, Museo Moderno, Buenos Aires, Argentina; <em>Enie<\/em>, Fundaci\u00f3n NC-Arte, Bogot\u00e1 (2018); <em>Inner Earth<\/em>, R\u00f6da Sten Konsthall, G\u00f6teborg, Sweden (2018); <em>La sombra Terrestre<\/em> [The Shadow of the Earth], Fundaci\u00f3n Fuga, Bogot\u00e1 (2015); <em>La doble negaci\u00f3n<\/em> [The Double Negation], Galer\u00eda Alonso Garces, Bogot\u00e1 (2008); Barranquilla Museum of Modern Art (2006); Gt Gallery, Flax Arts Studios Residence Program, Belfast, Northern Ireland (2006); Academia Superior de Artes de Bogota, Santa Fe Gallery, Bogota (2004); and <em>Color que soy<\/em>, Museo de Arte de la Universidad Nacional de Colombia (2002).&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>Pedro G\u00f3mez-Ega\u00f1a<\/strong> was born in Colombia and lives and works in Oslo, Norway. He studied music composition, performance, and visual arts at Goldsmiths College, the Bergen National Academy of the Arts. He finished his PhD in visual arts at the University of Bergen in 2012. He is currently a professor of sculpture and installation at the Oslo National Academy of the Arts.&nbsp;<\/p>\n\n\n\n<p>G\u00f3mez-Ega\u00f1a\u2019s work addresses a concern with economies of attention by producing purpose-built, often large-scale immersive spaces that seek to modulate audiences\u2019 perception. The relation between site and viewer is central to his work, making storytelling, music, the appropriation of historical and literary texts, and site-specificity some of his frequent strategies.&nbsp;<\/p>\n\n\n\n<p>G\u00f3mez-Ega\u00f1a stages objects and images in motion as an investigation of, and reaction to, a world dominated by saturation and speed. His works problematise cultural definitions of time and temporality and explore the current and historical effects of technology. His recent work investigates the domestic space, the intersection of the industrial and the mystical, as well as the sexual and spiritual undertones of digital culture.&nbsp;<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\" \/>\n\n\n<div class=\"t2-featured-single-post t2-featured-content is-post-type-exhibition wp-block-t2-featured-single-post\"><a class=\"wp-block-t2-post-link post-id-5431 has-background wp-block-afm-block-post-link\" href=\"https:\/\/www.afmuseet.no\/en\/exhibitions\/between-rivers\/\">\n<figure style=\"--t2-focal-point: 50% 50%;\" class=\"t2-post-featured-image has-image-ratio-16-9 wp-block-t2-post-featured-image\"><img loading=\"lazy\" decoding=\"async\" width=\"7952\" height=\"5304\" src=\"https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2024\/09\/Thao-Nguyen-Phan-First-Rain-Brise-Soleil.-Courtesy-the-artist-and-Galerie-Zink-3.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Thao Nguyen Phan, First Rain, Brise Soleil, 2021 \u2013 2022. Courtesy of Thao Nguyen Phan and Galerie Zink. Film still \u00a9 Thao Nguyen Phan.\" srcset=\"https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2024\/09\/Thao-Nguyen-Phan-First-Rain-Brise-Soleil.-Courtesy-the-artist-and-Galerie-Zink-3.jpg 7952w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2024\/09\/Thao-Nguyen-Phan-First-Rain-Brise-Soleil.-Courtesy-the-artist-and-Galerie-Zink-3-300x200.jpg 300w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2024\/09\/Thao-Nguyen-Phan-First-Rain-Brise-Soleil.-Courtesy-the-artist-and-Galerie-Zink-3-1024x683.jpg 1024w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2024\/09\/Thao-Nguyen-Phan-First-Rain-Brise-Soleil.-Courtesy-the-artist-and-Galerie-Zink-3-768x512.jpg 768w, https:\/\/www.afmuseet.no\/content\/uploads\/sites\/3\/2024\/09\/Thao-Nguyen-Phan-First-Rain-Brise-Soleil.-Courtesy-the-artist-and-Galerie-Zink-3-1536x1025.jpg 1536w\" sizes=\"auto, (max-width: 7952px) 100vw, 7952px\" \/><\/figure>\n\n<div class=\"wp-block-group alignfull is-layout-flow wp-block-group-is-layout-flow\">\n\t<span class=\"wp-block-afm-label medium wp-block-afm-block-post-type\">Exhibitions<\/span>\n\t<h2 class=\"wp-block-t2-post-title\">Between Rivers<\/h2>\n\t<span class=\"wp-block-afm-block-post-dates\">18. Oct. 2024 &#8211; 12. Jan. 2025<\/span>\n\t<div class=\"t2-post-excerpt wp-block-t2-post-excerpt\"><p>A flood is what flows says the etymology, where the flowing is in excess. But it is by flooding that a river constructs its form; form is the remnant of excess, the despair of content, the failure of escape. Riffles, pools, floodplains, meanderings constitute its geometry. <br><br>\u2013 from &#8220;A River&#8221; by Lisa Robertson*<\/p><\/div>\n<\/div>\n\n<\/a>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Delcy Morelos in conversation with Pedro G\u00f3mez-Ega\u00f1a on the occasion of the exhibition <em>Between Rivers<\/em><\/p>\n","protected":false},"featured_media":5647,"template":"","meta":{"afm_hide_title":false,"afm_event_from":"2024-11-07T18:00:00","afm_event_to":"2024-11-07T19:00:00","afm_event_recurring":"","afm_event_recurring_interval":"","afm_event_recurring_end":"","afm_event_weekdays":"","_afm_post_new_title":"","afm_terms_sep_event_event-audience":", ","afm_terms_sep_event_event-cat":", "},"event-audience":[],"event-cat":[],"class_list":["post-5646","event","type-event","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.9 (Yoast SEO v26.9) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Delcy Morelos in conversation with Pedro G\u00f3mez-Ega\u00f1a - Astrup Fearnley Museet<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.afmuseet.no\/en\/events\/delcy-morelos-in-conversation-with-pedro-gomez-egana\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Delcy Morelos in conversation with Pedro G\u00f3mez-Ega\u00f1a\" \/>\n<meta property=\"og:description\" content=\"Delcy Morelos in conversation with Pedro G\u00f3mez-Ega\u00f1a on the occasion of the exhibition Between Rivers\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.afmuseet.no\/en\/events\/delcy-morelos-in-conversation-with-pedro-gomez-egana\/\" \/>\n<meta property=\"og:site_name\" content=\"Astrup Fearnley Museet\" \/>\n<meta property=\"article:modified_time\" content=\"2024-11-26T09:03:43+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.afmuseet.no\/content\/uploads\/sites\/2\/2024\/10\/DelcyPedro_nettside_00.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1440\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.afmuseet.no\/en\/events\/delcy-morelos-in-conversation-with-pedro-gomez-egana\/\",\"url\":\"https:\/\/www.afmuseet.no\/en\/events\/delcy-morelos-in-conversation-with-pedro-gomez-egana\/\",\"name\":\"Delcy Morelos in conversation with Pedro G\u00f3mez-Ega\u00f1a - 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