{"id":218,"date":"2023-03-14T15:05:35","date_gmt":"2023-03-14T15:05:35","guid":{"rendered":"https:\/\/www.afmuseet.no\/en\/artwork\/part-offering-hit-the-mahogany\/"},"modified":"2024-01-04T12:18:40","modified_gmt":"2024-01-04T12:18:40","slug":"part-offering-hit-the-mahogany","status":"publish","type":"artwork","link":"https:\/\/www.afmuseet.no\/en\/artwork\/part-offering-hit-the-mahogany\/","title":{"rendered":"Part Offering (Hit the Mahogany), 2014"},"content":{"rendered":"\n\t\t
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<\/figcaption><\/figure><\/div>\n\n\n\n

Part Offering (Hit the Mahogany), 2014<\/h2>\n\n\n\t\t
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Helen Marten<\/h5><\/div>\n\t\t<\/div>\n\n\n

Technique<\/h3> Acrylic silk screen and hand painting on punched and textured leather in stained ash frame, powder coated cast aluminum, and black fluff<\/div>\n\n

Dimensions<\/h3> 288 x 218 x 12 cm<\/div>\n\n\n\t\t
\n\t\t\t

Production Year<\/h3>

2014<\/p><\/div>\n\t\t<\/div>\n\n<\/div>\n<\/div>\n<\/div>\n\n\n\t\t\t<\/div>\n\t\t<\/div>\n\n\n

<\/h3>\n\n\n\n

From Helen Marten\u2019s first exhibition at Sadie Coles HQ, “Oreo St. James”: \n\n“In eight screen-printed paintings on leather, Marten again lays bare the potency of line to read as an image: basic linear marks convey information at speed (a cat with an arabesque tail; a schematic front door), and yet the logic of these components \u2013 loosely amalgamated and printed on a monumental scale \u2013 appears to have shifted. The cat, an emblem of placid domesticity, is poised ambivalently between the status of pictogram, cartoon and decorative conceit. Depicted walking off a cliff, this repeated motif is literally a suspended animation, another instance of a figurative outline that is denied its mobile potential. Multiple vistas are overlaid (both paint and image) to suggest endless permutations of a recurring thought. The works are, in this regard, emphatically analogue. Extending Marten\u2019s preoccupation with imagistic psychedelics, these works mirror the non-sequiturs or taboos of dream sequences, giving space to the nonsensical possibilities located on the threshold of retinal certainty. Contrasting with the weightless, immaterial images printed across the leather surface, an array of sculptural parasites form a disruptive and tactile invitation into each picture.”<\/p>\n","protected":false},"featured_media":219,"template":"","meta":{"afm_hide_title":false,"afm_artwork_technique":"Acrylic silk screen and hand painting on punched and textured leather in stained ash frame, powder coated cast aluminum, and black fluff","afm_artwork_dimensions":"288 x 218 x 12 cm","afm_artwork_location":"Exhibited F4\/U Midt","afm_artwork_copyright":"","_afm_post_new_title":"","afm_terms_sep_artwork_artwork-year":", ","afm_terms_sep_artwork_artwork-category":", ","afm_terms_sep_artwork_artist":", "},"artwork-year":[79],"artwork-category":[],"artist_tax":[76],"class_list":["post-218","artwork","type-artwork","status-publish","has-post-thumbnail","hentry","artwork-year-79"],"yoast_head":"\nPart Offering (Hit the Mahogany) - Astrup Fearnley Museet<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.afmuseet.no\/en\/artwork\/part-offering-hit-the-mahogany\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Part Offering (Hit the Mahogany)\" \/>\n<meta property=\"og:description\" content=\"From Helen Marten\u2019s first exhibition at Sadie Coles HQ, “Oreo St. James”: “In eight screen-printed paintings on leather, Marten again lays bare the potency of line to read as an image: basic linear marks convey information at speed (a cat with an arabesque tail; 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