1.0Astrup Fearnley Museethttps://www.afmuseet.no/endekodehttps://www.afmuseet.no/en/author/dekode/rich600338<blockquote class="wp-embedded-content" data-secret="8o28JqkCEK"><a href="https://www.afmuseet.no/en/artist/felix-gonzalez-torres/">Felix Gonzalez-Torres</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.afmuseet.no/en/artist/felix-gonzalez-torres/embed/#?secret=8o28JqkCEK" width="600" height="338" title="“Felix Gonzalez-Torres” — Astrup Fearnley Museet" data-secret="8o28JqkCEK" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://www.afmuseet.no/en/wp-includes/js/wp-embed.min.js /* ]]> */ </script> The conceptual works of American artist Felix Gonzalez-Torres challenge the emphasis on materiality in traditional definitions of art. Gonzales-Torres’ works exist as fleeting interactions between the work and the viewer, and are an extension of the aesthetic of the 1960s, when happenings and conceptual art favoured the artistic idea rather than the aesthetic object. The […]